This time, Ant-Man and The Wasp: Quantumania takes the Marvel Cinematic Universe’s favourite ant-sized thief/superhero to a whole new universe: Trapped in the Quantum Realm, the Ant-family: Scott Lang (Ant-Man), his daughter Cassie, Hope van Dyne (AKA The Wasp), former ‘Ant-Man’ Hank Pym and former ‘Wasp’ Janet van Dyne must find a means of escape – but not before encountering a shadowy figure from Janet’s past in the form of Kang the Conqueror.

Jonathan Majors is a magnetic screen presence as Kang (a ‘variant’ of his character from Loki). What could easily be a one-note villain is portrayed with a unique combination of menace, eccentricity, and charisma by Majors, who proves to be the MVP of the entire movie.
Inevitably though, this story feels very much like a re-introduction, setting up Kang as the main antagonist for this Phase 5 of the MCU – with the next Avengers film already announced as The Kang Dynasty. Quantumania is less a standalone film and more of a steppingstone in the broader narrative of the MCU, continuing established storylines and setting up key characters and plot points for subsequent instalments to expand upon. So for Marvel fans, it’s exciting to see the next chapter in this ever-expanding multiverse.

Paul Rudd is as charming and entertaining as ever, while Kathryn Newton makes her MCU debut as his now grown-up daughter Cassie; the two have strong chemistry, even if Cassie as a character has developed considerably off-screen (on top of the five-year time-jump in Avengers: Endgame, Quantumania implies another time-jump since that film’s conclusion). Michael Douglas is given some fun gags as an easy-going Hank Pym, although Evangeline Lilly has very little to do (and feels once again somwhat underdeveloped across the films). In her expanded role, Michelle Pfeiffer is provided some interesting scenes with Kang (the two have an natural dynamic) but still feels like a mystery box throughout.
With the ensemble cast separated across the Quantum Realm, the story is able to showcase this strange new universe introduced in the first Ant-Man. The Realm itself is less other-dimensional and more akin to a Star Wars-esque space opera (complete with an alien bar, not unlike the famous cantina scene), featuring a collection of alien creatures including broccoli people, goo creatures (we love David Dastmalchian‘s VEB), and rather disappointingly, suspiciously human-looking characters. Despite being shot by acclaimed cinematographer Bill Pope, the visuals often look rather flat and grey, with some admittedly obvious blue screen work throughout, and this is definitely apparent in the 4K UHD transfer to the small screen. Peyton Reed’s direction is fine, although it lacks the dynamism of Sam Raimi’s Marvel filmography or the character of James Gunn’s Guardians of the Galaxy films.

Quantumania is also uneven tonally: despite losing a number of the comic supporting characters from previous films, some of the humour carries, albeit balancing against a more serious and threatening antagonist. On top of this, the film also tries to incorporate some of the weirder and more ridiculous aspects of the Marvel universe. Despite a promising introduction, supporting villain M.O.D.O.K. (Corey Stoll) is laughable – in concept, in execution, and not helped by some rather weak exposition. It’s hard not to admire the creative team for attempting to realise such a strange character, but it doesn’t really work.
Overall, Ant-Man and The Wasp: Quantumania is a fairly average entry in the MCU: the story is rather clichéd, the visuals oftentimes flat and the pacing and editing a bit clunky in places, although this is all bolstered by a charismatic villainous performance from Jonathan Majors as Kang. As a piece of escapist blockbuster entertainment, it certainly does its job, but with the MCU’s popularity starting to diminish, it’s disappointing for Marvel Studios to play it so safe.
In short: it’s less Quantumania, more Quantumgenerica





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