It’s wonderful news that the CANADA NOW film festival will return to London, from 24th- 29th April, to celebrate and share the very best of New Canadian Cinema to London, plus it’s being followed up with a tour of UK cinemas and we’ve got all those details right here!
The team at Telefilm Canada, in partnership with the High Commission of Canada in the United Kingdom and with the support of the Quebec Government Office in London, have announced that it’ll launch on the 24th April with nine films playing across five days at Curzon Soho and Phoenix East Finchley cinemas, followed by that aforementioned tour.
This latest CANADA NOW selection is set to bring tales of restless youth, indigenous stories of tragedy and healing, compelling personal dramas about reinventing our world with the power of our imaginations, as well as a riveting documentaries about the search for social justice and freedom of speech.
As always, the 2019 CANADA NOW showcase celebrates the independent spirit that has always been a hallmark of Canadian cinema and the festival opens with the London premiere of Keith Behrman’s Giant Little Ones, which is described as a refreshingly original and emotionally powerful coming-of-age drama. Barry Avrich’s Prosecuting Evil will close the festival, which is a feature documentary that tells the story of Benjamin Ferencz, the last surviving Nuremberg prosecutor and life-long human rights activist. Alongside eight U.K. premieres, CANADA NOW also includes a performance from Canadian filmmaker Daniel Cockburn of his surreal, autobiographical show How Not to Watch a Movie
See the full programme by scrolling down and tickets are on sale now: http://canadanow.co.uk
HE Mrs Janice Charette, High Commissioner for Canada to the U.K., says:
“We are pleased to be able to bring a unique selection of Canadian films to the United Kingdom through Canada Now. Our film industry has a wealth of talent, and I am sure that these movies will entertain and engage cinema lovers across the U.K.”
Christa Dickenson, Executive Director of Telefilm Canada, says:
“Helping Canadian films find audiences everywhere is central to Telefilm’s promotional mandate. We are confident that the stories being told in these nine films will resonate with audiences in the U.K., as they did at the U.S. and in Mexico Canada Now film festivals.”
(Akash Sherman – 106 mins)
CLARA tells the story of Isaac Bruno, an astronomer consumed by the search for life beyond Earth. Convinced that the universe is a dark and lonely place, Isaac meets Clara, an artist who shares his fascination for the wonders of space. Their unlikely collaboration leads to a deep connection, and a profound scientific discovery.
EDGE OF THE KNIFE
(Gwaai Edenshaw and Helen Haig-Brown – 100 mins)
Haida Gwaii, 1800’s: At a seasonal fishing camp two families endure conflict between the nobleman Adiits’ii and his best friend Kwa. After Adiits’ii causes the accidental death of Kwa’s son, he flees into the rainforest, descending into madness and transforming into Gaagiixid – “the Wildman”. When the families return in the spring, they discover Adiits’ii has survived the winter. Can he be rescued and returned to his humanity? Meanwhile, Kwa wrestles with his deepest desire – revenge. EDGE OF THE KNIFE is a startling, absorbing drama; from the producers of The Fast Runner and Searchers.
FOR THOSE WHO DON’T READ ME
(Yan Giroux – 107 mins)
All his life, Yves dedicated himself to poetry, carrying his suitcase to any couch that would welcome him. When he storms into Dyane’s life, a graphic designer who falls for his charms, her son Marc immediately disapproves of this eccentric stranger in his mother’s bed. But the studious teenager soon finds Yves’ rebel ways contagious and begins to explore his own artistic side. Loosely based on the life and work of the late Quebec poet Yves Boisvert (1950-2012), Giroux’s debut feature is an impressive tale of one man’s unusual quest for and expression of the meaning of life.
GIANT LITTLE ONES
(Keith Behrman – 93 mins)
Franky Winter (Josh Wiggins) and Ballas Kohl (Darren Mann) have been best friends since childhood. They are high school royalty: handsome, stars of the swim team and popular with girls. They live a perfect teenage life – until the night of Franky’s epic 17th birthday party, when Franky and Ballas are involved in an unexpected incident that changes their lives forever. GIANT LITTLE ONES is a heartfelt and intimate coming-of-age story about friendship, self-discovery and the power of love without labels.
HOW NOT TO WATCH A MOVIE
(Daniel Cockburn – 60 mins)
Filmmaker Daniel Cockburn presents this one-man show that’s been likened to the work of Spalding Gray and Charlie Kaufman. What begins as a look at 1990s horror films quickly goes down a cinephilic rabbit hole, becoming a weird, funny, mind-bending autobiographical journey through two decades of overinterpretation and paranoia.
HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA
(Brigitte Berman – 101 mins)
The freedom to speak out, to freely express one’s individual ideas, and to be accepted for being different resonates at the heart of HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA – a documentary by Academy Award-winning filmmaker Brigitte Berman. The film features the most cutting-edge personalities, open and frank dialogue about pressing social concerns, and the most captivating performances from Hugh Hefner’s landmark TV series, Playboy’s Penthouse (one season, 1959-1960) and Playboy After Dark (two seasons, 1968-1970).
(Patricia Rozema – 91 mins)
MOUTHPIECE is a powerful, funny and highly original look into the conflicted psyche of Cassandra Haywood – a fiercely independent millennial woman. Cass is a single writer who lives by her own rules. She’s also a bit of a disaster. Following the sudden death of her mother, Elaine (Maev Beaty) she finds herself in crisis, unable to think straight with a debate raging inside her head. This movie makes that invisible conflict visible: Cassandra (Amy Nostbakken & Norah Sadava) battles it out while figuring out what to say at her mother’s funeral. What unfolds is a wild careening through grief, anger, sex and self-sabotage in an exploration of the messy lives of women from both generations.
(Barry Avrich – 83 mins)
Barry Avrich’s gripping new documentary tells the fascinating story of Ben Ferencz—the last surviving Nuremberg prosecutor and lifelong advocate of “law not war.” After witnessing Nazi concentration camps shortly after liberation, Ferencz became lead prosecutor in the Einsatzgruppen case at Nuremberg, which has been called the biggest murder trial in history. He was 27 years old and it was his first trial. All 22 Nazi officials tried for murdering over a million people were convicted. Ferencz went on to advocate for restitution for Jewish victims of the Holocaust and later for the establishment of the International Criminal Court. His fight for justice for victims of atrocity crimes continues today.
*Playing at the Phoenix East Finchley
THE FIREFLIES ARE GONE
(Sébastian Pilote – 96 mins)
Summer is near and classes are coming to an end in a former industrial town on the end of a large bay. Léo, a young and disaﬀected girl, meets Steve, a reclusive and aimless guitarist. Léo lives with her mother and stepfather Paul, a populist radio show host who forced her father into exile up north. Sylvain, Léo’s father, is a dethroned union leader whom she greatly misses. A stranger in her own world, frustrated and angry, it is through her budding relationship with Steve, set to the rhythm of their guitar lessons and her new summer job, that she’ll be able to ﬁnd some kind of comfort and ultimately take ﬂight. Named Best Canadian Film at the 2018 Toronto
THROUGH BLACK SPRUCE
(Don McKellar – 111 mins)
Based on the Giller-Award-winning novel, THROUGH BLACK SPRUCE is the story of a young Cree woman whose disappearance triggers events in two worlds: in Moosonee, the remote Northern Ontario community she fled years ago, and Toronto, where she modelled before vanishing. Her twin sister, at home hunting moose in the North but a fish out of water in the city, reluctantly heads south to retrace her sister’s steps. The two worlds collide when the fallout from the missing woman’s troubled life comes to a violent head, back in Moosonee.